(a) d’Anglebert, first courante in G, from Pièces de clavecin, including ports de voix in mm. 1 (d2) and 2 (a1); (b) François Couperin, “Les moissonneurs,” including coulé in m. 2 (f1); (c) Rameau, Les indes galantes, including ports de voix (m. 5, bb1 and d2) and coulés (m. 3, g1 and bb1; m. 5, bb1)